https://www.countlesscities.com/home daily 1.0 2026-04-03 https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/68b7fb25-6d3c-433a-8ae9-46d770c9e702/il+treno+cinese+Addis+Abeba-Gibuti+alla+nuova+stazione+cinese+di+Addis.jpg home https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/1665990535579-PBBBF7J582AYNER5L3TK/Utopia+-Auroville_India.jpg home https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/373ef2ad-7485-49a4-a328-fbca6da7a59a/Copy+of+RS-F077.jpg home https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/b486508f-17a6-40cd-96ed-af89ff87f65c/FCP_Gaza_01_Tavola+disegno+1+copia.png home https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/578e2d02-fdb1-4be8-ae5b-d133f49e7c0e/Big+Copenaghen.jpg home https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/d29ec3db-1068-4e18-98f0-4b375ef1caf3/294-01.jpg home https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/14427528-96fb-4917-981c-87c241bb618a/_MG_0784.jpg home https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/051f0100-b7f1-48d7-9bd0-d993cf176cda/Schermata+2025-06-15+alle+18.25.04.png home https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/430ff7f6-a38d-4bb7-bf4f-24c7c9c3bb48/Schermata+2025-06-15+alle+18.46.16.png home https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/bcf59d71-3844-4bc1-9c52-fa94731c7004/503626706_18513266941037573_3982805349331692602_n.jpg home https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/0d0abb5b-46d6-4b21-af64-dd719cfd6817/510913015_10237940198512958_1533295000740390879_n.jpg home https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/099f55c6-9aad-4b58-8f0c-beb0a730d9f0/EG_Stills_10.jpg home https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/5464ddf2-de6b-4614-83f8-9aa0fe3da98b/Screenshot+2026-04-03+alle+08.44.30.png https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/829a9d7a-068f-4015-a9ae-d1675083220a/AL_01249.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/697b7726-1928-4220-bdbd-ab06825a5e65/DSC_8461.JPG https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/1664827626196-4OH5MJ80CZMG2BD2PH2S/giulio+di+meo+yazd.jpeg home - Mettili in risalto Di qualunque cosa si tratti, il modo in cui racconti la tua storia online può fare la differenza. https://www.countlesscities.com/about daily 0.75 2025-05-19 https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/1663147917434-8U5PDAYNVSXZ9Q0Z06XK/ZIA+MARIA+.jpeg About - A Platform for Change We are a community committed to rethinking new ways of thinking, living and being together. Farm Cultural Park is one of the most influential independent cultural centers of the contemporary cultural world and one of the most lively projects of rethinking and rebirth of dying cities. A Platform for Change! https://www.countlesscities.com/blog daily 0.75 2024-08-20 https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/caf23af1-5984-411d-9bfc-1a13fcfa1a55/441459090_455138150527615_4956292275637597836_n.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/bfc70328-9c6a-4406-a1b3-464083a7c93a/334676953_225494866671421_8336704391397555228_n.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/cf56de61-daa8-4889-a939-f972ba6a3f43/vorkuta3-monotowns-zupagrafika.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/61ce8fb1-dbc8-45ea-800d-c411f07aac24/DSCF1071_Edit.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/8f4000c4-369b-402e-a4ae-ae1623ded983/317722005_193470679925420_1884979560195936976_n.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/1664803954894-BN7LZNC0I8U0ZEPPZWO7/WhatsApp+Image+2022-09-25+at+14.46.17.jpeg Blog - Mettili in risalto Di qualunque cosa si tratti, il modo in cui racconti la tua storia online può fare la differenza. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/1664804493859-3IJVYMKCDTTBZB6AEC80/301161411_10228893208103852_4777602949430059510_n.jpg Blog - Mettili in risalto Di qualunque cosa si tratti, il modo in cui racconti la tua storia online può fare la differenza. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/1664804946502-FC6YMFN6UE5M09F6RZG2/archisummit+porto.jpeg Blog https://www.countlesscities.com/blog/soul-r39nj monthly 0.5 2022-09-14 https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/1663192484058-LSZHSWD564KWWWOABSMF/w.jpeg Blog - Farm guest of Festival de la Ville sauvage. https://www.countlesscities.com/millo daily 0.75 2026-03-30 https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/bd9c761c-22b8-4b61-814f-1e5ca216cf32/MWC_170.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/0a97e74d-7521-4913-b941-71f3047aba0f/Screenshot+2026-03-30+alle+12.57.52.png https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/3f34fcf7-fd70-48cd-a781-2c6eb4a4c88f/1+Minsk+-+Bielorussia.png https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/03902e5e-d6a4-48f7-afc0-42f80097e858/MWC_001.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/4cf1cfc4-daa2-4b2d-ab84-494939f96897/2+Santiago%2C+Chile+Millo+1.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/aec88fac-03ff-4b52-97bf-96651f7baef9/MWC_042.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/f23a0839-1c44-4921-92e4-9ab763ffb1b3/3+Kiev+-+Ucraina.png https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/5a54466b-8403-4399-acb5-8dbbf0a0d5cf/Screenshot+2026-03-30+alle+12.52.54.png https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/7ad1411b-fa75-4f40-84dd-2956395ffb69/4+Al+Jib+%E2%80%93+Palestina.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/af01ac0a-f98d-48a0-b388-f3669fad9ea6/MWC_170.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/169628a0-fc51-4667-82fc-48d16f696282/5+Luzhi+-+Suzhou%2C+China+.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/3070ced9-b476-4be9-93c4-5cc7b37a5716/MWC_181.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/88bb04f3-a773-4dff-872e-ecf1723ac380/06-millo-casablanca.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/006d1e00-c9e4-4e89-a1f8-11fbd7822380/Screenshot+2026-03-30+alle+12.50.28.png https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/e31ce6c6-a28a-474b-9c41-f073851212a6/murotbilisi.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/debc33ef-9d5a-4e7a-a1d9-90d79ff81c5a/tbilisidetail.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/6970a8c1-06cb-4248-95ec-a2fe24d1280c/mumbai-web-1.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/0c0e6506-9b89-427d-bc82-c3ac424cd68b/mumbai-web-2.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/cac98dec-2f8e-44d1-9a6a-0c197a9efaf6/02-millo-horsens-web.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/ffbdd1ef-8bd3-4548-a174-02bdfa796e5d/Schermata+2025-11-15+alle+15.40.36.png https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/d3065e1b-797f-46c2-b779-7c22da2f26b3/millo-pristina-02-web.jpg https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/8b47c45e-c037-4a4b-bfe0-1adb5b015ad9/Screenshot+2026-03-30+alle+12.52.17.png https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/38eeec93-a8eb-4ed0-ad81-d370c93253e7/Screenshot+2026-03-30+alle+13.00.06.png https://www.countlesscities.com/past-editions daily 0.75 2026-03-24 https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/8eb81478-f71d-4c03-8875-758a7aeed1d0/landmark_10.jpg Past Editions Tel Aviv and Jerusalem Pavillion by Jona Di Paola https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/eb92c3f7-7f08-420c-a90f-cf463a9787f1/8%EF%BC%BFKCM_1211_5032.jpg Past Editions Cent Mansions by Chung Ming - Hong Kong - The Five Sense of the Future - Manuela Catania https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/46b57bfc-3f13-4003-9a46-45730cb91440/IMG_8132.jpg Past Editions Very Bangkok: In the City of the Senses by Philip Cornwel-Smith https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/4c1bc813-619d-48d7-866d-626c4b72de72/Jasser+Lahdiri+10.jpeg Past Editions La Marsa Pavillion by Jesser Ladhiri https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/910c8c4b-f0dd-4671-8d1f-02702199c681/PHOTO-2021-03-24-11-46-18+4+%281%29.jpg Past Editions Caracas Pavilion - tradesofculturalcapital by Alejandro Haiek in collaboration with Luis Pimentel and Xenia Adjoubei. Audio-visual: Alvaro Leon. Computational Design: Tomas Mena. 3D modelling: Osmin Avalos. Photography: Irina Urriola. Online platform: Ksenia Davydova. Local team: Gerlando Lopresti, carpenter; Angelo Cimino & Mattia Mantione, assembly assistance https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/be3d54d4-f836-4a48-85ee-c57d8ab2d894/IMG_9616_2.jpg Past Editions David Adjaye: Urban Africa Pavillion https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/4360bdea-7a61-41b5-823a-bd7207b5ccfc/IMG_6492.jpg Past Editions SPONTANEOUS LIVING SPACE - SAO PAULO PAVILLION https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/06131c2d-2ac6-4351-a4c1-73b78f326ed4/L1340579.jpg Past Editions Asmara Pavillion - Cinema Impero by Clara Vannucci. The project “Cinema Impero" intends to document the current situation of a country barely known abroad, was it not for the millions of political refugees who arrived in Europe in the last years. The project aims to show how strong and alive, seventy years after the end of the colony, the Italian heritage still is in the country, not merely in the stunning architectures, which represent the greatest expression of the rationalist and futurist movement, but also in the perpetuation of the Italian culture, gastronomy and traditions. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/2ff1bab6-e89b-4473-9595-d0dec0cb63a1/IMG_8204.jpg Past Editions PRATO FOREST & CIRCULAR CITY https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/fdc1e092-3290-4c9f-b935-5db680bbe040/Black+dress%2C+blue+nails%2C+cricket+bat+%C2%A9+Mahtab+Hussain+-+Honest+With+You+2017+%281%29.jpg Past Editions Birmingham Pavillion by Mahtab Hussain – Honest With You. 2008 - 2019 Honest With You is a commentary on the changing identity of British Muslim woman, which examines the motivations of those who have resorted to concealing their femininity by re-veiling and wearing the hijab while others have rejected it outright. The veil has become a prominent symbol for Muslim women in the West and serves as the locus of a movement that offers two powerful political statements. It identifies those who strongly oppose Western intervention in Muslim countries while, at the same time, proffers a visual rejection of what many believe to be the over sexualized culture of Western society. Its popularity is driven within the UK by Islamic societies that have formed pressure groups, as well as immigration from Muslim countries that wear the hijab, such as Iran, Saudi Arabia, Yemen, Egypt, Somalia and Syria, where the movement ‘Hijabee chic’ originated. These newcomers have defiantly held on to their traditional Islamic dress while introducing these concepts to British Muslim communities. Hussain’s research has revealed that, like their male counterparts, British Muslim women are also in flux, simultaneously clashing and succumbing to Western ideology while attempting to uphold their cultural traditions. However, and in spite of these competing interests, Muslim women are encouraging each other to become educated, to attend university and to build careers before they marry. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/4d4bb890-d2c1-41dd-95d2-84836138b829/IMG_8266.jpg Past Editions Padiglione In-Mobility: Tanger\Redeyef\Irbid by Fanny Bouquerel con Yagoutha Belgacem, Amina Mourid, Safi Adnan Sakran e Marco Scarpinato https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/df27d387-1f72-4c71-9446-62c477c40f8b/DSC_0001+%282%29.JPG Past Editions Douala Pavillion : Witnesses of a birth, by Dontstop Architettura con Andrea Angeli Douala è riconosciuta come capitale economica del Camerun, questa città di circa 7 milioni di abitanti stimati si estende per 200 km2 nella regione del Litorale e si colloca a sole 3 ore di macchina da Yaunde, la capitale politica del Paese. Il porto commerciale di Douala-Bonaberi è la finestra che affaccia tutta la nazione verso mondo (soprattutto verso Francia, Cina e Italia). È da qui che transitano petrolio, legno, cacao e banane di cui è ricco il Camerun. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/7db63511-b50d-4fbd-b142-bfb98029e8d4/IMG_8201.jpg Past Editions https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/3fb738e3-0b42-41c8-8ae8-25d4b6806808/grattacielo+Addis+Abeba.jpeg Past Editions Addis Abeba Pavillion- New Flower by Adriano Marzi. Africa’s diplomatic capital and symbol of the African renaissance, Addis Ababa is living an extraordinary transformation. Included by New York Times and Lonely Planet in the list of the world’s most interesting cities to visit thanks to its vibrant cultural scene, the “swinging Addis” is evolving at a very fast pace, experiencing a stable economic growth and a massive urban expansion. The “forest city” founded by Emperor Menelik II has developed to a modern “concrete jungle”. As new concrete-and-glass skyscrapers come up like mushrooms, the traditional neighborhoods made of wood and mud are blown down to make room for a new skyline worthy of a modern global capital. The City’s highway network grows larger and larger, while traffic increases dramatically. The light train line which recently came in operation seems not enough for counteracting the frenzy that has seized the city. Torn between great expectations from the “New” coming forth and bewilderment caused by the chaos growing all around, Addis’ inhabitants wait patiently and confidently for the dust of the city-yard to fade out and the train of modernity to allow them all get up. Will Ethiopia’s traditions and roots be strong enough to stand the impact of “Development”? Will the East Africa “peaceful island” resists notwithstanding the growing inequalities brought forth by economic growth? https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/aeb5312a-c70f-4355-ae49-4d7809516502/Lorenzo+Conti+abu+dhabi.jpeg Past Editions Abu Dhabi Pavillion - Jubail Mangrove Park by Lorenzo Conti https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/55a16bb8-45c3-4249-a31d-74ab10cb616f/VGG_2019_Antifascismus+International+Flag.jpg Past Editions BERLIN, GARDEN CITY - Installation by Sara Busnardo. A Berlino gli spazi di futura speculazione, pubblici o privati che siano, possono essere considerati laboratorio per esperimenti urbani, dall'identitá temporanea, liberi di sviluppare un proprio network di funzionamento in connessione con il territorio che provvisoriamente occupano. Il desiderio di contatto con la natura e con la coltivazione del proprio cibo trovano spazio in quelli che vengono chiamati Giardini comuni o Orti urbani. Vicini che spesso nel contesto cittadino non si conoscono, vengono a contatto tra loro e iniziano a conoscersi, a scambiarsi informazioni, consigli, opinioni. Sotto l'ombrello del verde urbano, queste piccole comunitá basate sulla fiducia nel vicinato e sull'interesse comune per gli spazi condivisi diventano teatro di una politica dal basso variegata e colorata. Le problematiche che accomunano chi paga l'affitto allo stesso padrone, chi vede il proprio quartiere cambiare e gentrificarsi, chi si preoccupa per la sicurezza della stessa via, inevitabilmente diventano argomento di scambio con il vicinato, sono la scintilla per una politica dal basso basata sulla consapevolezza ed autoorganizzazione. 3. Il caso di Vollguter Gemeischaftsgarten 4.L'orto comunitario Vollguter Gemeinschaftsgarten (“L'orto proprio buono”) è una comunità di individui, famiglie, giovani creativi e istituzioni. È un luogo di incontro e cooperazione aperto, oltre che allo scambio orticolo, ad altri progetti ed esperimenti. All'interno della comunitá che si é venuta a raccogliere intorno al giardino, si é creata un'offerta aperta, interculturale, intergenerazionale e interattiva per tutti gli interessati: eventi o regolari puntuali come workshops, conferenze, cinema di informazione, eventi teatrali, culinari e/o musicali e opportunità rendono il giardino scenografia di coreografie urbane interessanti. 5. 6. Cos'é un giardino comune? I giardini comunitari sono un ottimo modo, per i cittadini che lo desiderino, di riavvicinarsi alle cose genuine, al processo di produzione del cibo e, non da meno, tra di loro che spesso, pur essendo separati da poco piú di un muro tra le loro case, sono estranei. È una tecnica di recupero del benessere sociale che funziona bene soprattutto nelle grande città. È un modo per riappropriarsi di spazi pubblici, per prendersener cura in maniera autonoma e, in fine, semplicemente UTILIZZARLI in maniera costruttiva, creativa e comunitaria. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/eeb4447b-73e1-461f-a9e8-def06facd3bb/VillEni16.jpg Past Editions Villaggio Eni. Un piacevole soggiorno nel Futuro - Borca di Cadore Pavillion by Davide Maffei https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/32167535-4a2d-4d24-9754-445f8d8122f4/Lyra+Aoko+Photography+-+Farm+Cultural+Park+Selection-30.jpg Past Editions Nairobi Pavillion by Michael SOI e Lyra Aoko https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/a8a6bffd-2b97-414f-8dd9-a1ac124e1575/IMG_6984.jpg Past Editions https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/8ab1c20b-3297-4007-80be-775aadda0f19/65301385_895023494166377_3724881580833898496_n.jpg Past Editions Padiglione Matera -Architettura della Vergogna -A cura di Architecture of Shame e Analogique. Architettura della Vergogna è un progetto di Matera 2019 Capitale Europea della Cultura co-prodotto da Fondazione Matera Basilicata 2019 e Architecture of Shame https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/f9573b96-d779-46ef-a160-62ded0bf6bf9/IMG_7171.jpg Past Editions "Dilli Chalo" New Dheli Pavillion. Since October 2020, at the cry of Dilli Chalo - let's go to Delhi - 250 million farmers from all Indian states are animating what has been defined by many as the largest protest in history. The origin is the approval of three acts of land reform that would benefit multinationals at the expense of 650 million farmers - almost half of the Indian population. It is estimated that every minute 30 people migrate from rural areas to urban centers and the reform will contribute to increasing this exodus that is making the cities of India a combination of the "Generic Cities" theorized by Rem Koolhaas and the "Planet of Slums" of Mike Davis. The common denominator remains that of unsustainability, a consequence of an ultraliberalism that informs the rapid, often dystopian, changes in the country. DILLI CHALO echoes that cry of protest that captures both the despair and the grandeur of the community. Thinking, reimagining and reclaiming the city as a collective project therefore becomes a mission of vital importance. Promoting art as a social and cultural practice, creating public spaces of value in which inclusiveness becomes an operational guide, is what St + art India Foundation has been promoting since 2014 in many Indian cities. In Favara, one of the foundation's key projects - Lodhi Art District - becomes the object of analysis as a prototype of imagination for a community that can go beyond social, economic and ethnic divisions, in a process of re-appropriation of physical and symbolic spaces. Through photographs and stories, maps and graphics, but also works created by some of the most prolific local artists, DILLI CHALO will introduce the public to the vast visual and social landscape of a stratified and polarized city that is at the same time extraordinarily lively and creative. Co-curated: Giulia Ambrogi, Alessandra Arpino Coordination: Reha Maheswari Graphic Design: Siddarth Gohil, Vishaka Manjul Singh Photo credits: Akshat Nauryal, Pranav Gohil Artists: Big Fat Minimalist, Akshat Nauryial, Do, Khatra, Zero, Amitabh Kumar, Osheen Siva, Daku, Aravani, Shilo Shiv Suleman Supported by St+art India Foundation https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/14c9aa28-b263-4f13-a5bd-989f0243435c/Jad+El-Khoury+3.jpeg Past Editions Beirut Pavillion- by Jad El Khoury. “Burj El Hawa”: Wind Blows Away War Memories di Jad El Khoury è una di quelle opere che vengono consegnate alla storia dell’Arte. In un momento storico sempre più complesso e drammaticamente macchiato da nefandezze, ingiustizie e disuguaglianze, gli artisti hanno il dovere di assumere un ruolo. Jad El Khoury con la leggerezza del soffio di un vento dolce, prende in carico la responsabilità di restituire ai cittadini di Beirut un pizzico di colore, di poesia, di bellezza. Il suo lavoro diventa un dispositivo per allontanare i brutti ricordi della guerra e concedere una boccata di speranza in un presente ed un futuro di pace e armonia. Non ha avuto bisogno di costruire nulla di nuovo e neanche di chissà quale somma di denaro, Jad El Khoury per trasformare un simbolo di guerra, la Murr Tower, Beirut Trader Center, utilizzato dalle milizie durante il conflitto, in uno straordinario Landmark temporaneo di Beirut. Noi di Farm siamo felici di premiarlo con la nostra residenza e di ospitare “Burj El Hawa”: Wind Blows Away War Memories di Jad El Khoury nel Padiglione dedicato alla città di Beirut a Countless Cities la prima Biennale delle città del mondo. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/61380f2b-a8e5-4f75-bd09-7adc48f2a50c/IMG_7310.jpg Past Editions Gente Colaborativa - Puebla Pavillion by MUI https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/373ef2ad-7485-49a4-a328-fbca6da7a59a/Copy+of+RS-F077.jpg Past Editions Luxor Pavillion by FUNTASIA EGYPT https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/1000204d-fac6-4e40-95e6-7ba91c3ea83d/IMG_8208.jpg Past Editions BRUSSELS The community-driven city by Alberto Squizzato https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/56c0fb40-f4a5-4e72-ac8f-273a65e0dd9a/ACP_MEKNES_Interior%2BView_FINAL.jpg Past Editions Meknes Pavillion by Laps Architecture https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/f8960f81-7640-4285-8c0b-b5f9b690c0f8/Henry+John+Heinz_disegno.jpg Past Editions Pittsburgh Pavillion by Giuseppe Veneziano https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/80e45a85-222e-4f9e-bff4-78dfa5a9b009/IMG_9303_2.jpg Past Editions Brutal London by Alessia Gammarota. London has the second most over-priced property market in the world. At the same time, it's facing a shortage of affordable homes and an increase in the number of properties being left empty - sometimes for years, and in most cases in the wealthier neighbourhoods. This is the result of the so-called 'regeneration' process. Regeneration begun in the 1980s with the aim of redeveloping depressed areas of the city, and since then it has changed the landscape of entire neighbourhoods in the capital, leading to an increase in both land values and economic inequality. My story shows the effects of this housing crisis in London, while addressing the basic right of citizens to have a shelter and a home. Through taking a broad view of perspectives that might otherwise be considered independent of each other, I aim to show the connections and relationships between different aspects of London’s housing crisis. These include: - Squatting, which became illegal in the UK in 2012 for residential properties, and has faced further restrictions even in non residential properties, leading to increasingly rapid evictions. In January 2017 a group of squatters occupied the property of a Russian billionaire that had stood empty for three years in Central London, opening it up as a homeless shelter. They were evicted within a week and fined court costs. - Council Estates, which since the 1980s have been stigmatised as unsafe places in which to live, as well as breeding grounds for anti-social behaviour. With the excuse of improving the quality of the surrounding are and the lives of the community, as well as increasing the density of housing, councils across London have drawn on these stereotypes in order to demolish estates under their care and sell the land to private developers. The reality is that residents of council estates who cannot afford either to rent or to buy the new properties are forced into temporary accommodations, moved out of the borough and eventually relocated out of London altogether in a process that has been described as ‘social cleansing’. The lack of investments in council estates, the withholding of maintenance and their inadequate refurbishment recently resulted in the disaster of the Grenfell Tower fire. - New developments, which thanks to government tax breaks for investors and public funding for the building of private properties, are proliferating across London. Built for capital investment and second home ownership by UK and foreign investors, rather than the housing needs of local communities, this housing boom is changing not only the landscape but also the soul of the city. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/b1e5a042-69fd-4333-8cfe-d6cd43d819f8/Soveria+Mannelli.jpeg Past Editions Soveria Mannelli Pavillion by Emilio Salvatore Leo https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/fee9c053-106c-4638-8e2b-d2d708504439/58419362_10219229231590479_935510109759471616_n.jpg Past Editions Installation by Nespoon https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/9e7144e8-9cd8-4afe-ae69-3f2ade799c2c/IMG_8769_2.jpg Past Editions Smirne Pavillion by Stefano Pugliese Architect and Designer and Ali Matay Visual Artist Built as a settlement area, the city of Smyrna, in Turkish Izmir, dating back to the 3rd century BC, hosted many identities throughout its history. It is impossible to say that Izmir is still completely under the auspices of a single nation. In its present state, the city under the borders of Turkey, self-styling as a transition boundary between the Europe with Asia due to the important strategic position and is the gateway to the Aegean Sea is therefore inevitable that act as a bridge for Migrants. İzmir is one of the rare examples where migrants are included, apart from the fact that minority groups have their own settlements. In Izmir every body is a ‘stranger’. This function has been transformed, particularly as a bridge between Europe and Asia, into areas where the various regions of the city reflect the feeling of belonging to minorities and migrants. One of the best examples of this is the Basmane region. The invisible borders created in these areas have been interfered with the political borders of Greece due to the fact that it is the gateway to the sea. In fact, the political boundaries that were clearly drawn did not show the same clarity culturally, but remained as an unknown, invisible but boundary of experiences. In this context, this project focuses on the cultural reflection of the invisible borders of Izmir and the re-identification of these boudaries defined on the map. The project will be presented thru visual materials and illustrations. During the days of the event, a physical structure as an installation representing the project will be built as a collaborative workshop in Favara. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/87fc52e6-a39f-48b8-8fe3-011b1324de24/31d.png Past Editions Buenos Aires. Clasificados villas By Davide Vero Raccontare una città: Buenos Aires. Farlo attraverso un fenomeno urbano: le villas miseria. Brani di città informali, spesso segregati e considerati come problemi da “eradicare”. VILLAS che – in realtà – costituiscono un pezzo fondamentale della città, di questa città, di Buenos Aires, una parte integrante. Raccontare un fenomeno, farlo in maniera analitica. Individuando come possibile traccia del racconto una nuova forma di economia popolare: una strategia di “resistenza” e al contempo uno spazio di vendita ibrido, fisico e virtuale. Una risposta e un’interpretazione, l’adattamento alla situazione contemporanea segnata dalla pandemia attraverso la proposta di una nuova pratica. Raccontare una nuova forma di economia che prende vita in un momento di crisi. Clasificados, annunci per la vendita e lo scambio. Utilizzando gli strumenti di comunicazione contemporanei: i social network. Creando un mercato virtuale per tutti, un mercato che raccoglie i prodotti più disparati, che unisce una comunità, un quartiere. Non soltanto una strategia di sopravvivenza e solidarietà, ma un fenomeno di adattamento, una nuova pratica economica. Materiali eterogenei all’interno di un percorso, un corridoio che porta dentro al fenomeno. Il tutto raccontando una storia, molte storie. Quelle della villas e quella di Buenos Aires. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/77e096cb-8615-4f2e-8096-24d2e7f887bd/IMG_8727.jpg Past Editions NAPOLI RI-CUNTATA by Teresa Alfieri https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/3b7338f1-0448-4604-869d-9a6a4c3c34d0/Soi04-06-2019-2062.jpg Past Editions Nairobi Pavillion by Michael SOI e Lyra Aoko https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/a2ae59c7-ca16-44f4-ad95-5254584c4cf5/IMG_8927_2.jpg Past Editions BEIJING, SUZHOU E ZHU HAI Pavillion by Michele Brunello Titolo: Design break Sottotiltolo: Enhancing Chinese cities with human design tools Abstract: Nelle metropoli Cinesi, epicentro delle trasformazioni e dei paradossi urbani del XXI secolo, si stanno sviluppando nuove pratiche urbane che usano il Design come strumento di rigenerazione urbana e di community building. Dopo il boom urbano che ha attirato decine di milioni di persone nelle città in pochi decenni, dopo la cancellazione dei tessuti storici delle città per fare spazio alle architetture dell’era globale, dopo la vertiginosa crescita economica che in pochi anni ha creato una classe media tra le più giovani e numerose del mondo, nell’agenda urbana delle città il social design, il community design, il co design e l’environmental design hanno assunto una nuova centralità. Una volta esaurita la spinta di crescita incontrollata, le questioni sociali ed ecologiche sono diventate la priorità da affrontare e si è cercato di capire quali fossero gli strumenti più efficaci per riequlibrare le città nei confronti dell’uomo e dell’ambiente. La resilienza urbana è diventata un tema strategico dal momento in cui ci si è resi conto che la città “contemporanea”, che stava sostituendo i tessuti storici, non era in grado di garantire adeguati livelli di felicità sociale, dinamicità, creatività, identità, imprenditoria e mixitè, ma al contrario diminuiva la vitalità urbana. Oggi si sta sperimentando il design come strumento di intervento urbano sta investendo sui “creative districts" come modelli di città futura. In questo contesto le Desing Week Cinesi si sono sviluppate come dei grandi eventi pubblici di sperimentazione urbana, slegate dal nostro concetto di design legato al “prodotto” o ai “servizi”, ma terreno di sperimentazione di tutte le forme di progetto. La mostra racconterà gli esiti delle Design Week e in tre città simboliche, dove si produce l’innovazione e il futuro del design che sta ridisegnando le vite di milioni di persone. Il cluster dell’area di Pechino con la Design Week della capitale, evento di public design più grande del mondo, dove si sono recuperate grandi parti di città grazie ai pilot project creati negli anni che hanno vinto premi e riconoscimenti internazionali, e il design e’ diventato motore di crescita della città . Il Cluster dell’area di Suzhou e Shanghai, legato a Chengdu e Chonquing dallo Yangtze River, l’ area dove è concentrata la maggior parte delle imprese estere, anche italiane, e dove si producono, e oramai si progettano, gran parte delle merci mondiali. Infine l’area di Zhu Hai e del Pearl River Delta, che è la culla dell’innovazione e della tecnologia, che spazia dai produttori di telefoni e processori ai produttori di nuovi servizi e app, dove il design si e smaterializzato ma influenza la vita di centinaia di milioni di persone. Un viaggio che è introdotto dal controverso documentario di Michelangelo Antonioni Chung Kou del 1972 girato in molte delle città citate, che crea un contrappunto visivo al mondo contemporaneo di cui si raccontano le tendenze e i paradossi tramite i protagonisti che animano le design week delle città che in pochi anni sono diventate il riferimento mondiale di Public Design (Beijing area), Product Design (Suzhou e Yangtze River) e Service and Innovation design (Zhu Hai e Pearl River Delta). Credits: Cura: Michele Brunello, Across Chiense Cities and Xport curator Exhibition : Dontstop Architettura (Michele Brunello, Marco Brega con Andrea Angeli) Team: Shanti Alberti di Catenajo e Miriam Pistocchi Con la collaborazione di: Vittorio Sun Qun Lavori esposti alla Beijing Design Week, Suzhou Design Week e Zhu Hau Design Week https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/f0ed6f8b-28fd-4076-93ce-931fe291a777/IMG_9735_2.jpg Past Editions Padiglione di TUNIS by Lucia Pierro and Marco Scarpinato https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/f607b322-0633-43bc-98dd-608973d5a315/IMG_9816_2.jpg Past Editions Augmented City Pavillion by Maurizio Carta https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/6f93f7a8-1005-44df-9420-924b4d7eed65/IMG_9629_2.jpg Past Editions NEW YORK, CHICAGO, BOSTON E NEW ORLEANS Pavillion - Giving Back by Nita Sturiale. “Think of giving not as a duty but as a privilege.” ―John D. Rockefeller Jr. American Foundations have a huge impact in communities around the world -  influencing education, health, social services, media, arts and culture, research, and the sustainability and liveability of cities.  The support of these foundations is crucial at a global scale. There are over 86,000 foundations in the United States. The amount of money that these foundations give each year exceeds 60 billion dollars. These foundations are founded by individuals, families, and corporations. They are driven by a desire to give back and make positive change towards a sustainable, culturally rich, and equitable future. Cities are at the forefront of this change. Cities are meeting the challenge of climate change and economic disparity by updating infrastructure, becoming more sustainable and walkable, supporting the arts, and invigorating individual neighborhoods.  This evolution is a collaboration between private and public institutions. 100 Resilient Cities , pioneered by the Rockefeller Foundation, is dedicated to helping cities become more physically, socially and economically resilient.  The cities on the list identify a Chief Resilience Officer, create a resilience strategy, and access partners and networks to get the work done. Bloomberg Philanthropies is encouraging Mayors and cities to better use data and evidence to engage the public, improve services, evaluate progress and fund “what works”. The winners of Mayors Challenge received $1million to begin implementing potentially breakthrough ideas to address homelessness, mobility, climate change, and economic opportunity. The Obama Foundation is spearheading a youth leadership corps as well as launching the Obama Presidential Center - a new landmark and an economic engine for the city of Chicago. The Center will create thousands of new jobs in Chicago, while giving new life to Frederick Law Olmsted’s, 19th century American landscape architect, vision of a cohesive, walkable and iconic Jackson Park. Also in Chicago, visual artist Theaster Gates, self-described as an activator of political and social change, has created the Rebuild Foundation.  Its most visible project is the Stony Island Arts Bank built in a decades-long abandoned bank building. Gates purchased the bank from the City of Chicago for one dollar and through a combination of fundraising and the sales of his own work, raised funds to make a remarkable transformation. The building was restored to be a ‘bank’’ of arts and culture and is a community center dedicated to the mission of economic, cultural and environmental justice. All over the world there are countless individual artists, architects, inventors, teachers, public servants, and volunteers that are working to make change in their communities.  With the help of foundational support their ideas become reality. Funding in the US happens at multiple scales from multiple directions - private, public, and corporate. It happens at every level of development and execution -  from initial concept development all the way up to grants given to City Mayors for implementation of large-scale infrastructure projects. The foundations that are most successful understand that their job is to provide the money, the access to permits and contracts, and the business networks and relationships that have the capacity to realize the visions of the individuals on the ground - those who are embedded in the communities they serve. These foundations understand that the deep knowledge of the local environment is held within the neighborhood and by the individuals that do the work of making local and personal connections. At the center of successful projects is an individual or small group of people with a passion for a specific problem or hope, working alongside large scale foundations that have a philosophy and a vision based in the ideal of equity, justice and liberty for all. “For it is in giving that we receive.” ―St. Francis of Assisi https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/0aa18c7d-248e-495a-921c-c11931a6e0c0/IMG_2513.JPG Past Editions CHONGQING Pavillion by Antonio Bennica. Quando sentirete il nome “Chongqing” probabilmente per la maggior parte di voi sarà la prima volta. Nonostante il suo nome non sia dei più famosi, questa città nel bel mezzo della Cina ospita una popolazione di circa 34 milioni di abitanti, posizionandosi al primo posto come città più popolosa al mondo. La sua posizione strategica tra i due fiumi Yangtze e Jialing ha permesso alla città di espandersi economicamente ad una velocità imparagonabile ad altre simili realtà e i 40 gradi estivi gli hanno attribuito il soprannome “forno della Cina”. La prima volta che ho messo piede in questa metropoli non mi aspettavo tutto ciò, passare dalla Chiesa Madre di Favara ai grattacieli di Chongqing è stato uno shock che sicuramente ha cambiato la mia visione del mondo. Tutto ciò che prima era soltanto nei film e in qualche videogioco futuristico si manifestava davanti a me. Ma a dire il vero la cosa che più mi ha scosso non è stata la presenza di enormi infrastrutture e la differenza architettonica con l’italia, bensíla valorizzazione di un territorio pressochè privo di attrazioni. Una città con una storia abbastanza recente riesce in pochi anni a svilupparsi e diventare tra le più importanti al mondo grazie ad azioni politiche mirate allo sviluppo industriale ed architettonico, mentre città con un patrimonio artistico e paesaggistico come quelle italiane arrancano nel crescere. Un esempio della crescita architettonica e culturale di questa città cinese è la recente apertura della Libreria Zhongshuge nel quartiere di Yangjiaping. Ideata dallo studio di architettura X+Living la libreria è una vera e propria opera d’arte di illusione ottica. La libreria si sviluppa su un lungo corridoio labirintico circondato da scaffali con alcune installazioni coniche nel percorso adibite a zone lettura per poi arrivare alla sala centrale. La sala principale è caratterizzata da una notevole presenza di scale e scaffali che, grazie all’effetto ottico dato dallo specchio posto sul tetto della stanza, espande infinitamente la libreria dando una sensazione ipnotizzante al cliente. Nel giro di pochi giorni la libreria è diventata uno dei maggiori punti di attrazione della città con lunghe file all’ingresso sin dalla mattina. Zhongshuge non ha uno scopo prettamente commerciale ma offre ai visitatori spazi in cui leggere un libro in tranquillità, lavorare o prendere un the, creando un luogo di aggregazione e sintonia. L’effetto attrattivo che questo progetto ha creato dimostra l’importanza dell’arte e dell’architettura sotto il punto di vista turistico, come è stato dimostrato anche da Farm nel territorio favarese. Trasformare e creare il bello è qualcosa che tutti possono fare, ognuno alla propria maniera. Ecco, Chongqing è la dimostrazione che il creare crea a sua volta, per questo l’effetto ottico della libreria è un po' la metafora della città che partendo da poco è riuscita a creare qualcosa di meravigliosamente grande che non ha assolutamente intenzione di fermarsi. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/0906d6b3-31d5-42d1-8a97-f9d436d0fae8/IL+MONUMENTO+DI+FERRO+100X65++b2.jpg Past Editions Lo Chott el Jerid è un lago salato della Tunisia. Situato nel sud-ovest del paese, in una depressione tra le oasi di Tozeur e di Nefta da un lato e tra Kébili e Douz ai confini del deserto del Sahara. Periodicamente le scarse piogge della regione ne sciolgono la crosta facendo salire in superficie il sale, che l'intensa evaporazione fa cristallizzare rapidamente; poi, il vento ricopre di sabbia i cristalli di sale. In tal modo, la superficie cambia continuamente di colore. La foto è stata realizzata nell’ottobre del 2017 e la leggenda narra che la carcassa del Bus sia stata abbandonata da profughi libici in fuga. La realtà invece racconta un’altra storia pare si tratti dell’avamposto di un francese che ha installato la propria base in quel luogo per praticare kitesurf. Una volta che gli affari sono venuti meno, abbandonò tutto e lì rimase in balia del tempo. Lasciando il bus come un “MONUMENTO DI FERRO” titolo della foto realizzata dal fotografo palermitano Zino Citelli. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/3ad46e7d-9917-4aa4-9d7c-5b039127ee98/Detroit+bassa+risoluzione.jpeg Past Editions Detroit Pavillion- By Municipality of Detroit Street Talk: Reimagining the Motor City through Resident Engaged Revitalization A city is only as vibrant and healthy as its citizens. In a city such as Detroit where disinvestment and bankruptcy has destroyed infrastructure as well as lives, municipal planning and historic preservation staff are applying innovative strategies to re-build. This rebuild includes considering the past as critical to the present and future of Detroit. In order to gain resident’s trust, planners are listening to their stories, offering innovative solutions to instill hope and create a city “secure in its future, grounded in its roots, and hopeful in its present state." (The Planning and Development Department Mission Statement). Learning the stories of citizens through oral histories is an innovative planning tool that provides a critical link to residents sentimental perception of the past, and the possibility for the future. It helps residents feel validated and begins to heal the trauma of years of marginalization and disinvestment. How exactly do these oral histories inform the plan? In this pavillion, We (the City of Detroit) demonstrate a number of cases in which the intangible component of the planning process- oral histories- have physically transformed the built environment. Our three cases (East Jefferson, Dexter Ave, and Rosa Parks/12th Street), center on some of Detroit’s most famous streets that have changed dramatically over the years. From vibrant places, to formidable spaces, resident’s stories help us focus our attention on the street as the destination, not simply a thoroughfare. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/f9aef8eb-c2c2-4e84-aefa-b9d39e67b8b3/Bus+Stop+by+Giorgi+Chakhava+-+2.jpg Past Editions Tribute to Giorgi Chakhava - BEYOND THE IRON CURTAIN Installation by Nana Zaalishvili In March 1946 Winston Churchill spoke as a guest of Westminster College in Fulton, Missouri, where he predicted the future of post-war Europe under the ‘IRON CURTAIN‘ of Soviet rule: “…From Stettin in the Baltic, to Trieste in the Adriatic, an iron curtain has descended across the Continent. Behind that line lie all the capitals of the ancient states of Central and Eastern... All these famous cities and the populations around them lie in what I must call the Soviet sphere, and all are subject, in one form or another, not only to Soviet influence but to a very high and in some cases increasing measure of control from Moscow.“ BEYOND THE IRON CURTAIN is an installation, which tries to explain that Georgia was architecturally very active and interesting during the soviet regime, even while the control from Moscow was very strong. While architecture was in bloom and the architects were creating iconic buildings in the USA and Europe, architects in the Soviet Union were making the scene with their own style. When your only customer is the government, who controls all of your decisions, concepts and shapes, working as an architect becomes a very specific profession. Georgia during the Soviet regime was a blooming country and architects were at their best to create unique shapes even under the control. Not only buildings, but they were showing their vision through small architectural objects such as bus stops, gas stations, city entrance signs, furniture and more. Giorgi Chakhava (1923–2007), an Iconic Georgian architect was one of the bright minds working beyond the Iron Curtain. Even though he was on the “other side” of the world, he still managed to create unique structures under the soviet regime and his buildings are still attracting the eye in the 21st century and are modern to this era. He’s most known work is the Road Ministry Building in Tbilisi, (now the Bank of Georgia Head Quarters) which attained attention straight after it was completed and still is one of the main landmarks for Tbilisi. Besides working as an architect at Idaaf Architects, the studio I established, I have been photographing Soviet Bus Stops around Georgia for the last 3 years. I found many interesting structures all around the country and the most unique ones are bus stops made by the “Building Element” invented by Giorgi Chakhava. I was part of the team who worked on the book about Chakhava during which I had an opportunity to go through his archives and discover about these “Building Elements“ Chakhava invented. He had used them to create various structures, not only bus stops, but also bridges, offices, gas stations, houses and more https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/31e66d58-fa59-4354-b6d7-88bdeff9a583/Molisn%E2%80%99t-+the+hidden+metropolis.+.jpeg Past Editions Molisn’t: the hidden CONCEPT metropolis. Strategies for a connected and diffused city. By SUPERSPATIAL The pavilion shows a research about the emblematic case of a rural area. As many other parts of Italy Molise is facing a process of abandonment and depopulation, the lack of jobs, infrastructure and in general the weak economy made the whole region a ghost. A place where the mortality rate is the double of the birth one, with the lowest number of tourists in Italy, no airports and just 36 km of highway and electric railways. A diffused city of 305.947 people that for many Italians doesn’t exist. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/3e49ad55-b2f2-4871-974b-f300d667cc8c/IMG_8774.jpg Past Editions Padiglione TIRANA- “OCCHIO SU TIRANA” a cura di IRACI ARCHITETTI Tale of a professional experience as a chance of study of a city in continuous evolution. Tirana is today a city in transformation that shows his historical traces non only in its buildings but also in its inhabitants. The Pavilion “Occhio su Tirana” aims to tell this city, from macro scale to micro scale, underlining its willing to emerging, showing its contradictions and the future and current projects of the new face of the city. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/3e3c7fe9-3d8c-4690-93be-54aa50f3c0ce/REDEYEF.2020.1.png Past Editions In-Mobility: Tanger\Redeyef\Irbid Fanny Bouquerel, avec Yagoutha Belgacem, Amina Mourid, Safi Adnan Sakran et Marco Scarpinato Le pavillon In-mobility: Tanger\Redeyef\Irbid propose d’explorer le thème de la mobilité entendue comme le dépassement de frontières physiques, virtuelles ou mentales dans les villes de Tanger, Redeyef et Irbid. Situées sur des territoires frontaliers respectivement au Maroc, en Tunisie et en Jordanie, ces trois villes offrent l’opportunité d’approfondir de multiples facettes de la mobilité, marquée par des dynamiques contrastées. Au-delà de blocages économiques et politiques qui entravent la circulation des personnes, l’histoire partagée des communautés, les flux de marchandises ou encore les échanges culturels contribuent à mettre les villes en mouvement, en lien avec leur environnement proche et lointain. https://images.squarespace-cdn.com/content/v1/6320a39cb675724dfc576007/6ed86053-e639-4ef3-a6d3-1b9432a2b69b/YRRKALA.jpeg Past Editions Australian Pavilion: Mulka—Stories from Yirrkala Curated by Miriam La Rosa for Agency Agency—New perspectives for people, art and Country. Agency is an Indigenous not-for-profit organisation based in Australia that celebrates and promotes Indigenous art, culture and people on a local, national and international scale through the initiation and facilitation of ethical and sound investments into Indigenous-led projects and partnerships. Artworks credits: Good Business: 1. The Mulka Project, Digital Archive (2019). A cinema of works from the Mulka Digital Archive of the Buku-Larrnggay Mulka Centre of Yirrkala (an Aboriginal community located in the East Arnhem Land Region, Northern Territory of Australia): a growing, living digital library and archive of unique and valuable Yolŋu knowledge, ceremony and cultural-history. - Installation specs: 3 screens displaying videos/images on loop Housing Diversity: 2. Wukuṉ Waṉambi, Nhima, Nhäma, Ga Ngäma (Sit, Look, and Listen) (2014). High definition video, 16:9, 1920 x 1080 pixels, stereo sound, 10:21min. Film cuts of a Yolnu ceremony shot in six different moments of time. Through the use of circularity and the overlapping of different temporalities, the work addresses issues of restitution and repatriation in relation to Yolnu rituals—their value, meaning and permanence in the community context. 3. Gutingarra Yunupingu, Gurrutu'mi Mala (My Connections) (2019). 0:30min. “Gurruṯu is the connections and kinship that Yolŋu share with one another. 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